{"id":474,"date":"2019-04-21T19:34:13","date_gmt":"2019-04-21T17:34:13","guid":{"rendered":"http:\/\/lenjeu.eu\/?page_id=474"},"modified":"2019-04-29T14:45:08","modified_gmt":"2019-04-29T12:45:08","slug":"the-musical-thematic-analysis","status":"publish","type":"page","link":"https:\/\/lenjeu.eu\/?page_id=474","title":{"rendered":"The musical thematic analysis"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">by Marc Mandel<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The stake is fully sung opera that I wanted the most melodic possible. It is composed of three kinds of type of musical themes :<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>1\/ Musics to explain the progress of the action. <br><\/strong>The game of brelan (Acte 2- Sc\u00e8ne 6)<br>The murder  (Acte 3 &#8211; Sc\u00e8ne 5)<br>The stake   (Acte 3 &#8211; Sc\u00e8ne 2) <\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2\/ Unique  tunes for a scene. <\/strong><br>Among others things :<br>The fan  (Acte 1 &#8211;  Sc\u00e8ne 5)<br>The bet is won (Acte 1 &#8211; Sc\u00e8ne 7)<br>Villefort and Louise (Acte 1 &#8211; Sc\u00e8ne 10)<br>Charles (Acte 2 &#8211; Sc\u00e8ne 4)<br>The Villefort&rsquo;s death (Acte 3 &#8211; Sc\u00e8ne 1)<br>Noayes comes to cash his debt regognition (Acte 3 &#8211; 7)<br>The Louise&rsquo;s anger (Acte 3  &#8211; Sc\u00e8ne 8)<br><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>3\/ Tunes for soloist with quotes from these themes in other scenes. <\/strong><br><\/p>\n\n\n\n<p class=\"has-text-color has-medium-font-size has-vivid-red-color wp-block-paragraph\"><strong>The main is the love duet between Louise and Charles <br>(Acte 2 &#8211; Sc\u00e8ne 7 &#8211; My love, my secret )<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">This tune is composed of two parts<br>A : \u00ab\u00a0My love, my sun ..\u00a0\u00bb<br>B : \u00ab\u00a0I don&rsquo;t want to leave you, keep me by your side\u00a0\u00bb<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"http:\/\/lenjeu.eu\/wp-content\/uploads\/2019\/04\/01-Acte-2-S7-Theme-principale-amour-Louise-et-Charles-1.mp3\"><\/audio><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">This th\u00e8me A  is mentioned for the first time in the opening                                                                          <\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"http:\/\/lenjeu.eu\/wp-content\/uploads\/2019\/04\/Ouverture-Th\u00e8me-A-Charles-et-Louise.mp3\"><\/audio><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">He is introduced in Scene 3 of Act 2 when Manon introduces Louise to Charles. He underlines their love at first sight<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"http:\/\/lenjeu.eu\/wp-content\/uploads\/2019\/04\/03-Acte-2-S3-1er-rencontre-Louise-Et-Charles.mp3\"><\/audio><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">The first duet that brings Louise and Charles together alone is introduced by the musical theme that will be developed in stage 7.<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"http:\/\/lenjeu.eu\/wp-content\/uploads\/2019\/04\/04-Acte-5-S5-Rencontre-Louise-Charles-Evocation-du-th\u00e8me-damour-dans-le-d\u00e9but-3.mp3\"><\/audio><figcaption> Maquette pas encore termin\u00e9e (voix sampl\u00e9es  \u00e0 remplacer) <\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"> The second part of this tune slips against the singing scene 5 of Act 2, during the first duet of Louise and Charles.<br>Louise  &#8211;  I don&rsquo;t know anymore <br>Charles  &#8211;  Louise<br>Louise  &#8211;  everything is confused <br>Charles  &#8211;  Louise<br>Louise  &#8211;  I&rsquo;m lost<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"http:\/\/lenjeu.eu\/wp-content\/uploads\/2019\/04\/04-Acte-2-sc\u00e8ne-5-evocation-de-la-parite-B-du-theme-dAmour-Louise-Charles.mp3\"><\/audio><figcaption>Demo not over yet (voices sampled to replace)<br><\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Finally comes the complete tune in scene 7 to conclude Act 2.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In Scene 4 of Act 3, Charles announces his departure for Versailles to Louise. She shows the desperation that the perspective of this separation brings to her by singing the air of their love duet<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"http:\/\/lenjeu.eu\/wp-content\/uploads\/2019\/04\/06-Acte-3-Scene4-allusion-au-theme-damour-3.mp3\"><\/audio><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Act 3 &#8211; Scene 6 &#8211; Louise confesses her murder. Manon suggests hiding it in Spain. Louise does not want to be separated from her love and manifests it again by evoking the theme of the love duet<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"http:\/\/lenjeu.eu\/wp-content\/uploads\/2019\/04\/07-Acte-3-S6-Theme-amour-cit\u00e9.mp3\"><\/audio><figcaption> Demo not over yet Louise&rsquo;s (voice sampled to replace)  <\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Finally, in the last duet of the finale &#8211; scene 9 &#8211; Act 3, the theme is evoked one last time.<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"http:\/\/lenjeu.eu\/wp-content\/uploads\/2019\/04\/08-Acte-3-sc\u00e8ne-09-derniere-citation-du-theme-damour.mp3\"><\/audio><figcaption> Demo not over yet Louise&rsquo;s (voice sampled to replace)  <\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-text-color has-medium-font-size has-vivid-red-color wp-block-paragraph\"><strong>Act 1 sc\u00e8ne 1 : Noayes receive<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">This is the first scene of the Stake. The Marquis de Noayes welcomes his guests, who express their pleasure at being invited.<br>\nLouise arrives at her father&rsquo;s arm.<br>\nThen Louise&rsquo;s request to join her friends, whom she sees in the distance.<br>\nFinally Noayes evokes the future of Louise.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">This 6-minute scene is composed of melodic interventions, coming against songs on a harmonic structure composed on a swing of 3 chords played by the harp that rotate during its duration.<br> Even if the tone modulates several times, the shape of the 3 chords persist.<br> At first we hear the harp turn on =&gt;  <br><strong>Ab7 + \/ Bbm7 \/  Cm7\/ Ab7 +<\/strong><br>Then after the first modulation the chords become:<br><strong>A 7+ \/ Bm7 \/  Dbm 7\/ A 7+ <\/strong><\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"http:\/\/lenjeu.eu\/wp-content\/uploads\/2019\/04\/09-Acte-1-sc\u00e8ne-1.mp3\"><\/audio><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">etc.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The main tune of the scene 1 \u00ab\u00a0This a delightful day &#8211; The gardens are beautiful &#8211; and the people strong friendly &#8211; we have the happy soul\u00a0\u00bb<br> is repeated at the end of scene 3 in the trio Louise &#8211; Manon &#8211; Apolline<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"http:\/\/lenjeu.eu\/wp-content\/uploads\/2019\/04\/10-Acte-1-sc\u00e8ne-3-reprise-th\u00e8me-sc\u00e8ne-1.mp3\"><\/audio><\/figure>\n\n\n\n<p class=\"has-text-color has-medium-font-size has-vivid-red-color wp-block-paragraph\"><br><strong>The weddings requests<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">During the reception given by the Marquis de Noayes, the Count de Villefort receives 2 wedding requests for his daughter Louise<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The first one from Noayes him self<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"http:\/\/lenjeu.eu\/wp-content\/uploads\/2019\/04\/11-Acte-1-S2-demande-mariage-Noaye.mp3\"><\/audio><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">The second one from the marquis Philippe Baguy de Puyvall\u00e9es<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"http:\/\/lenjeu.eu\/wp-content\/uploads\/2019\/04\/12-Acte-1-S9-demande-en-mariage-Philippe-idem-S2-prov.mp3\"><\/audio><\/figure>\n\n\n\n<p class=\"has-text-color has-medium-font-size has-vivid-red-color wp-block-paragraph\"><strong>Laugh, mock and bet again<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Act 1 &#8211; Sc\u00e8ne 8 &#8211; Rembarred by Louise,  Philippe is mocked by his friends<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"http:\/\/lenjeu.eu\/wp-content\/uploads\/2019\/04\/13-Acte-1-S8-fin-de-la-sc\u00e8ne-reprise-dans-la-11prov.mp3\"><\/audio><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Act 1 &#8211; Sc\u00e8ne 11 &#8211; Philippe, on the day of his wedding Louise,  recall the laught of his friends<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"http:\/\/lenjeu.eu\/wp-content\/uploads\/2019\/04\/14-Acte-1-Sc\u00e8ne-11-reprise-fin-s8.mp3\"><\/audio><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"> <\/p>\n\n\n\n<p class=\"has-text-color has-medium-font-size has-vivid-red-color wp-block-paragraph\"><strong>The Charles Ligeac de Vigonde&rsquo;s  military theme<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Act 2 &#8211; Scene 3 &#8211; Emilien de Mont\u00e9ront to organize a reception in honor of his friend Charles Ligeac of Vigonde promoted captain of the Dragons, following his campaign with La Fayette, to liberate the new world.<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"http:\/\/lenjeu.eu\/wp-content\/uploads\/2019\/04\/15-Emilien-chante-Charles.mp3\"><\/audio><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">At the beginning of this scene 3, the guests arrive two by two and have seen bits of their conversations. While the first couple continues their conversation gradually, the second comes to the fore, then gradually moves away to leave the foreground to a new couple. The 3 conversations are superimposed on a classical style accompaniment of this military theme in honor of Charles, until the request for silence of Emilien who sings the praises of Charles in the part mentioned in the previous paragraph.<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"http:\/\/lenjeu.eu\/wp-content\/uploads\/2019\/04\/16-Acte-2-sc\u00e8ne-3-reception-theme-Charles-Militaire-repris-classique.mp3\"><\/audio><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">But this theme is addressed for the first time at the end of stage 2 of Act 2, Manon invited Louise to this reception, makes him dazzle the interest to accept his invitation<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"http:\/\/lenjeu.eu\/wp-content\/uploads\/2019\/04\/17-Acte-2-Sc\u00e8ne-Manon-theme-mitiaire-Charles.mp3\"><\/audio><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"> <\/p>\n\n\n\n<p class=\"has-text-color has-medium-font-size has-vivid-red-color wp-block-paragraph\"><strong>Let&rsquo;s drink to health<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">During this scene 3, Emilien invites the guests to drink to the health of Charles<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"http:\/\/lenjeu.eu\/wp-content\/uploads\/2019\/04\/18-Acte-2-s3-allons-boire-\u00e0-la-sant\u00e9.mp3\"><\/audio><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Then this song is repeated again on other words, at the end of Scene 4, when Emilien brings down the tension created by Charles&rsquo;s words about war and heroism<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"http:\/\/lenjeu.eu\/wp-content\/uploads\/2019\/04\/19-Acte-2-S4-Armons-nous-de-nos-cuilleres.mp3\"><\/audio><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"> <br><\/p>\n\n\n\n<p class=\"has-text-color has-medium-font-size has-vivid-red-color wp-block-paragraph\"><strong>A road, a path, a trail<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In scene 4 of Act 3, Charles announces his departure for Versailles but promises to find a road, a path, a trail to leave Louise out of confusion.<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"http:\/\/lenjeu.eu\/wp-content\/uploads\/2019\/04\/20-Acte-3-sc\u00e8ne-4-voir-dans-sc\u00e8ne-9.mp3\"><\/audio><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Scene 9 of Act 3, Charles keeps his promise<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"http:\/\/lenjeu.eu\/wp-content\/uploads\/2019\/04\/21-Acte-3-sc\u00e8ne-9-reprise-de-sc\u00e8ne-4.mp3\"><\/audio><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"> <\/p>\n\n\n\n<p class=\"has-text-color has-medium-font-size has-vivid-red-color wp-block-paragraph\"><strong>Th\u00e8me B from the opening<\/strong><br><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">I began this analytical study by explaining that theme A of the opening was the evocation of the love duo of Louise and Charles whose musical climax is in scene 7 of act 2<br>\nThe theme B of this opening is developed as a counter-song in the final duet of Louise in Charles, in scene 9 of Act 3<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"http:\/\/lenjeu.eu\/wp-content\/uploads\/2019\/04\/22-Ouverture-Th\u00e8me-B-th\u00e8me-final-acte-3-sc\u00e8ne-9.mp3\"><\/audio><figcaption>Opening &#8211; Th\u00e8me  B<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"http:\/\/lenjeu.eu\/wp-content\/uploads\/2019\/04\/23-Acte-3-sc\u00e8ne-9-reprise-du-th\u00e8me-2-de-louverture.mp3\"><\/audio><figcaption>Acte 3 &#8211; Sc\u00e8ne 9  (beginning)  &#8211; th\u00e8me B<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"http:\/\/lenjeu.eu\/wp-content\/uploads\/2019\/04\/24-Acte-3-sc\u00e8ne-9-final-reprise-du-th\u00e8me-2-de-louverture.mp3\"><\/audio><figcaption> Acte 3 &#8211; Sc\u00e8ne 9  (final)  &#8211; th\u00e8me B <\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>by Marc Mandel The stake is fully sung opera that I wanted the most melodic possible. It is composed of three kinds of type of musical themes : 1\/ Musics to explain the progress of the action. The game of brelan (Acte 2- Sc\u00e8ne 6)The murder (Acte 3 &#8211; Sc\u00e8ne 5)The stake (Acte 3 &#8211; &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/lenjeu.eu\/?page_id=474\" class=\"more-link\">Continuer la lecture<span class=\"screen-reader-text\"> de &laquo;&nbsp;The musical thematic analysis&nbsp;&raquo;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_mi_skip_tracking":false,"footnotes":""},"class_list":["post-474","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v19.12 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>The musical thematic analysis - L&#039;enjeu<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/lenjeu.eu\/?page_id=474\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The musical thematic analysis - L&#039;enjeu\" \/>\n<meta property=\"og:description\" content=\"by Marc Mandel The stake is fully sung opera that I wanted the most melodic possible. It is composed of three kinds of type of musical themes : 1\/ Musics to explain the progress of the action. The game of brelan (Acte 2- Sc\u00e8ne 6)The murder (Acte 3 &#8211; Sc\u00e8ne 5)The stake (Acte 3 &#8211; &hellip; Continuer la lecture de &laquo;&nbsp;The musical thematic analysis&nbsp;&raquo;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/lenjeu.eu\/?page_id=474\" \/>\n<meta property=\"og:site_name\" content=\"L&#039;enjeu\" \/>\n<meta property=\"article:modified_time\" content=\"2019-04-29T12:45:08+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data1\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/lenjeu.eu\/?page_id=474\",\"url\":\"https:\/\/lenjeu.eu\/?page_id=474\",\"name\":\"The musical thematic analysis - L&#039;enjeu\",\"isPartOf\":{\"@id\":\"https:\/\/lenjeu.eu\/#website\"},\"datePublished\":\"2019-04-21T17:34:13+00:00\",\"dateModified\":\"2019-04-29T12:45:08+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/lenjeu.eu\/?page_id=474#breadcrumb\"},\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/lenjeu.eu\/?page_id=474\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/lenjeu.eu\/?page_id=474#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\/\/lenjeu.eu\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"The musical thematic analysis\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/lenjeu.eu\/#website\",\"url\":\"https:\/\/lenjeu.eu\/\",\"name\":\"L&#039;enjeu\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/lenjeu.eu\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"fr-FR\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"The musical thematic analysis - L&#039;enjeu","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/lenjeu.eu\/?page_id=474","og_locale":"fr_FR","og_type":"article","og_title":"The musical thematic analysis - L&#039;enjeu","og_description":"by Marc Mandel The stake is fully sung opera that I wanted the most melodic possible. It is composed of three kinds of type of musical themes : 1\/ Musics to explain the progress of the action. The game of brelan (Acte 2- Sc\u00e8ne 6)The murder (Acte 3 &#8211; Sc\u00e8ne 5)The stake (Acte 3 &#8211; &hellip; Continuer la lecture de &laquo;&nbsp;The musical thematic analysis&nbsp;&raquo;","og_url":"https:\/\/lenjeu.eu\/?page_id=474","og_site_name":"L&#039;enjeu","article_modified_time":"2019-04-29T12:45:08+00:00","twitter_card":"summary_large_image","twitter_misc":{"Dur\u00e9e de lecture estim\u00e9e":"5 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/lenjeu.eu\/?page_id=474","url":"https:\/\/lenjeu.eu\/?page_id=474","name":"The musical thematic analysis - L&#039;enjeu","isPartOf":{"@id":"https:\/\/lenjeu.eu\/#website"},"datePublished":"2019-04-21T17:34:13+00:00","dateModified":"2019-04-29T12:45:08+00:00","breadcrumb":{"@id":"https:\/\/lenjeu.eu\/?page_id=474#breadcrumb"},"inLanguage":"fr-FR","potentialAction":[{"@type":"ReadAction","target":["https:\/\/lenjeu.eu\/?page_id=474"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/lenjeu.eu\/?page_id=474#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/lenjeu.eu\/"},{"@type":"ListItem","position":2,"name":"The musical thematic analysis"}]},{"@type":"WebSite","@id":"https:\/\/lenjeu.eu\/#website","url":"https:\/\/lenjeu.eu\/","name":"L&#039;enjeu","description":"","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/lenjeu.eu\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"fr-FR"}]}},"_links":{"self":[{"href":"https:\/\/lenjeu.eu\/index.php?rest_route=\/wp\/v2\/pages\/474","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lenjeu.eu\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/lenjeu.eu\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/lenjeu.eu\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/lenjeu.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=474"}],"version-history":[{"count":22,"href":"https:\/\/lenjeu.eu\/index.php?rest_route=\/wp\/v2\/pages\/474\/revisions"}],"predecessor-version":[{"id":585,"href":"https:\/\/lenjeu.eu\/index.php?rest_route=\/wp\/v2\/pages\/474\/revisions\/585"}],"wp:attachment":[{"href":"https:\/\/lenjeu.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=474"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}